Over two decades after its release, *That Thing You Do!* has evolved from a modest comedy about a fictional 1960s boy band into a cherished cult classic. Tom Hanks, who both wrote, directed, and starred in the film, recently shared his thoughts on its reception during a candid conversation on the *Conan O’Brien Needs a Friend* podcast. Hanks expressed a mix of irony and gratitude as he navigated through both the critical disdain and the eventual appreciation of the film. This reflection not only highlights the fickle nature of film criticism but also underscores how cultural perceptions can change dramatically over time.
Hanks reminisced about the diverse opinions voiced by critics upon the film’s release. As he jokingly recounted, reviews often fluctuate between praise and disdain, which can perplex filmmakers trying to understand their audience. The critique of *That Thing You Do!* swung from harsh rebukes to humorous endorsements, revealing an ingrained unpredictability within the film industry. Hanks’s experience presents a common struggle among artists: the challenge of reconciling immediate critical feedback with the timeless nature of art.
Moreover, Hanks pointed out an intriguing phenomenon—what he termed the “museum piece.” He elaborated on how some movies, once celebrated, may fall out of favor as time passes. Conversely, films like *That Thing You Do!* may gain new life and resonance among audiences years post-release, often clad in nostalgia. This occurs as shifts in societal values and collective memory breathe fresh understanding into works once dismissed.
Interestingly, time’s role in reshaping the legacy of a film cannot be overstated. Hanks’s humorous remarks about critic assessments reveal a critical sensitivity to the passage of time, where opinions do not merely fade but transform. A film could morph from a box office disappointment into an iconic piece celebrated for its charm and authenticity. Hanks’s anecdotal reference to a critic’s evolution—from derision to eventual acclaim—captures the often arbitrary nature of critical opinion that can shift drastically with the years.
Furthermore, Hanks’s readiness to engage in the dialogue surrounding criticism, coupled with his playful irreverence, speaks volumes about his character. He emphasizes a broader understanding that “this is the carnival, that’s the contest,” suggesting he embraces the ride of public perception, regardless of its ups and downs.
Additionally, the film’s ensemble cast—featuring talents like Liv Tyler, Johnathon Schaech, and Ethan Embry—alongside its catchy title song, which received Oscar nominations, contributes to its lasting impact. Hanks acknowledges that while critics may have their opinions, the true measure of a film’s success lies in its ability to evoke emotions and foster connections with viewers.
Ultimately, *That Thing You Do!* serves not just as an entertainment piece but as a reminder of the dynamic relationship between audiences, critics, and creators. Through Hanks’s reflections, we glean insights into the complexities of film appreciation and the profound influence of time, affirming that a movie’s heart often beats well beyond its initial reception. As film lovers, this evolving narrative should inspire us to revisit and reconsider what we once labeled as mere entertainment.
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